The history of Rajesh Chadha, Managing Director of Update Prints Pvt. Ltd., which owes its inception and inheritance to P C Chadha & Co. started by his grandfather, is an interesting one. The first thoughts on letterpress, managing waste problems and family support were all highlights along the way that came on a journey from Kobe in Japan to New Delhi in India, following is the Indian Label converter’s history and thoughts for the future.
Update Factory |
In the late 1970s and early 1980s
driving on the western part of New Delhi’s Ring Road, many factories could be seen
from far away. One such tall building was the factory of P C Chadha & Co. in
the Naraina Industrial Area with a signboard on top visible from far. Around the mid-1980s when I was a commercial siliconiser
selling release papers, I came to know that P C Chadha & Co. manufactured stickers
and was a prospective customer. It was then a matter of time before I supplied some
reams of release paper to them. During one of my visits to them, I spent two hours
discussing why the stickers they were supplying were curling. I was quite naïve
then but with time and experience, I have written on my blog a very widely read
article on controlling curl. The young man I met was Rajesh Chadha, who was running
P C Chadha & Co. and is the present Managing Director of Update Prints Pvt.
Ltd. which owes its inception and inheritance to P C Chadha & Co. started by
his grandfather.
In 1924, young P C Chadha, living in Kobe, Japan, initiated an enterprise producing paper transfer labels with a vision that branding would be an important tool for sales of any consumer product, label being the face of any product. Sometime in the midst of turbulent times during World War II in 1942–43, P C Chadha decided to return to his homeland in Rawalpindi, then a part of undivided India and now in Pakistan. Little did he realize that in yet another five years he would have to move again! At the time of India’s partition in 1947 he came to Mumbai to set up his production for maintaining continuity in his passion for producing transfers, the labels of that time. Chadha soon came to recognise that the weather in Mumbai was not suitable for his product, and he moved operations to Pune. Before long he was still restless at the location and travelled up North in India to Patel Nagar in New Delhi where he set up his factory on a 150 square yards plot. He initially worked from home and later from his small factory.
Sewing machine with transfer labels |
Major changes started to happen when
P C Chadha’s grandson Rajesh Chadha joined the business in 1976. The same year they
moved factory from Patel Nagar to a 600 square yards plot in the nearby Naraina
Industrial Area. With Rajesh at the helm, in 1978 he started to produce stickers
by the manual screen-printing process. For the next ten years screen printing business
became the mainstay for Chadhas. One of the first major decisions taken by Rajesh
Chadha was to buy a European automatic Svecia Screen printing machine to print a
full 20” x 30” sheet, quite big for that time. The 1990s was a very eventful decade
for the Indian label industry. It was the time when many of today’s stalwarts in
the Indian label industry became visible. For Rajesh Chadha also, it was time to
shed the conventional image and adopt a modern look. It was during this period that
the conventional sticker became an engineered label. Rajesh set up Update Prints
in 1994 as his flagship venture thereon, gradually taking over all the business
of P C Chadha & Co, which was eventually wound up later in 2009. Sensing the
need to modernize with faster machines at Update Prints; he bought his first rotary
flexo label press, a ”Focus“. There was no looking back after this.
Rajesh and Aditya Chadha |
Reminiscing about his work in the
initial days in labels he says, ”The first label that I created was for Yardley
Cosmetics“ he further adds that in those days he had bought two Newfoil three station
hot-foiling presses. He used to love working with them creating innovative products.
It was the most satisfying part for him because he could imagine and then create
labels that would get appreciation from buyers. He has over the years equipped Update
Prints with diverse technologies in label printing, decorating and finishing. Whether
it is offset printed labels printed on his Rotatek Brava or labels created on flexo,
letterpress, hot or cold foiling, screen printing, etc. his company is never left
wanting for the ability to create. He is proud to say that “I deliver quality, service and satisfaction to
my customers and for this reason work comes to me automatically. I do not have to
waste time running after work.” While discussing digital printing I was not
surprised that his reaction was similar to that of a larger part of the Indian label
fraternity, ”It does not make sense to me at this point of time. I can print good
quality short runs cost effectively on offset and letterpress“. A very interesting
change that I noted in Rajesh during my talks with him is that he has started to
encourage Indian entrepreneurs who have excelled. While most of his equipment is
imported yet in recent times he saw the potential in an Indian manufacturer of label
presses, Multitec. He was not hesitant and bought the equipment. In fact, he has
followed it up by acquiring two more.
Family life
Aditya on shopfloor |
Update Prints’ business has transformed over the years. They do very little transfer labels business now and largely produce self-adhesive labels. Their customers are mostly leading FMCG companies. Ten percent of their produce goes into export. While in Patel Nagar, waste management was a big problem for them. With the company growing continuously, disposal was becoming a gigantic issue. It was one of the reasons besides expansion that they moved to this present location some 35 Kilometers from Delhi. Here they have developed collectors who take the waste and convert it for various usages and applications. He strongly feels someone needs to work in the direction of managing or recycling this waste effectively and believes a solution will evolve. He also feels going linerless is also a good direction but like digital printing it will be some time before this technology becomes adaptable extensively.